Though Game of Thrones covered a broad timeline of the characters ‘journeys, author George RR Martin planned at one point that the series should include a time jump, which would have changed the series’ pace significantly. Once you make the characters and the big story lines Game of Thrones‘ books, A song about ice and fire, George RR Martin had various plot-changing ideas that would have significantly affected the story at hand, which later included a major time jump. The idea never came to anything, but would have changed the scope of Game of Thrones incredible, especially with adapting the books to the series.
Game of Thrones takes place over an eight-year timeline, which still seems like a fairly short amount of time when you consider the large number of wars, betrayals, travels, and intense stories that take place. However, thanks A song about ice and fire‘s continuous timeline, Game of Thrones was not placed in a place where it would have been necessary to recast his younger characters to fit the planned time jump. While certain characters were still being reworked, such as Tommen and Myrcella Baratheon as they took on larger roles in the story, a time jump would likely have meant that a significant portion of the younger cast was replaced by older actors.
Mens HBOs Game of Thrones eventually surpassed the books after season 4 and began primarily to tell its own story, the series would still have had a hard time remaining loyal to A song about ice and fire if it had chosen not to follow the planned time jump. Both Game of Thrones and A song about ice and fire are remarkable for their rapid pace and constant action, making it inconceivable to imagine what the consequences of a significant time jump would have looked like. Game of Thrones only used flashbacks sparingly, with A song about ice and fire typically only a summary of events in wars long before its current timeline, so George RR Martin’s original time jump plan would have required a new narrative apparatus for both the show and the books.
Why & when GRRM almost spent some time Hop in a song about ice and fire
Over a decade before Game of Thrones premiered, George RR Martin planned the fourth part of A song about ice and fire series, A feast for crows (via Gizmodo). One of Martin’s first ideas to move the characters from the end A storm of swords – which ended with Oberyn Martell’s death, Tyrion murdered Tywin, Jon Snow became Lord Commander of the Night’s Watch, Daenerys Targaryen banished Jorah and decided to rule Mereen, Petyr Baelish killed Lysa Arryn, Arya Stark on her way to Braavos and an epilogue that introduced the undead Catelyn Stark as Lady Stoneheart – ind A feast for crows was a time jump. Martin felt that a significant portion of his characters were too young for the events he planned for the next round, so he felt that a five-year time jump would bring the characters – such as Jon, Daenerys, Tommen, Arya, Bran, and Sansa – to the right age.
Considering that the grades in A song about ice and fire are quite young when the story begins and continues to be involved in such incredibly mature events as children, the idea of a Game of Thrones time jump made sense. The books’ Daenerys begins at age 13, with Jon and Robb at just 14 years old. Time also goes slower in the books, which means that by the end of A storm of swordsthe younger survives Game of Thrones Grades are all still under 18, so even though they have experienced more than most people in their young lives, they are still biologically immature. Arya was a 12-year-old assassin when she traveled to Braavos, so it makes sense that Martin had thought she should have become more mature when she returned to Westeros. As such, Martin wanted to A feast for crows begin five years after A storm of swords‘events that bring the younger characters to more advanced ages with more experience heading into the brutal events of the next section.
What would have happened in GRRM’s ASOIAF Time Jump
During GRRM’s planned five-year time jump for the books, the characters would either have had too much going on in them or largely stood still. Since Arya was on her way to Braavos at the end of A storm of swords, A feast for crows would have taken up with her after spending five years training with the faceless men to become No One. That Game of Thrones Books’ time jump would also have seen Bran already accepted by the Children of the Forest and have undergone the green ceremony, perhaps already becoming the official Three-Eyeed Crow.
In King’s Landing, Cersei’s point of view chapters would have largely contained flashbacks, as she would have had to explain a major conspiracy from four years earlier, and that there were six different characters who served as the King’s hand during the five-year time jump. Martin also explained that Jon Snow would have spent five years as Lord Commander of the Night’s Watch with very little action at the Wall until A feast for crowss begins. Winter would still not have come in this time jump, with A feast for crows rise after the five-year decline.
Why GRRM canceled ASOIAF’s time jump
After author George RR Martin began writing for several of his point-of-view characters, he realized that while the five-year leap made sense for certain characters, it did not for the stories of others. For example, even if it would have made more sense for Arya to have a gap of five years in which she trained to become a master killer with the faceless men and was no longer seen as a child, it would not work at the Wall. Martin realized this even though he wanted Jon to be a more experienced Lord Commander at the time A dance with dragons‘Events occur, it would not have made sense that nothing had happened at the Wall during the five years.
Likewise, a major problem arose in relation to the history of Cersei Lannister, where she would have had to spend too much time with flashbacks that went into detail about the many changes in King’s Landing over five years. Martin might have wanted Tom to be old enough to make his own decisions and complete his marriage to Margaery, but he could not spend most of Cersei’s chapters getting readers up to speed on the many developments in King’s Landing. . Although it would have worked for Sansa to have spent five years learning to play the titular game of thrones under Littlefinger’s expertise or for Bran to have spent five years training as a Three-Eyed Crow, it is relatively unrealistic that Dany would have spent all time jumping reigning Mereen before A song about ice and fire‘s Sons of the Harpy action begins.
Though A feast for crows often considered one of A song about ice and fires weaker repayment due to its relative resilience, the book’s continuous timeline was needed to immediately follow up on the end of A storm of swords. For example, the events in Dorne are extremely important for the future of history, especially because the Sand Snakes and Arianne Martell’s actions are a direct reaction to the murder of Oberyn Martell. The action at the Wall could not be postponed either A storm of swords ended up with the Others starting to shut in on the Night Watch. While the age and pace of the characters can still be an issue, there are certain storylines that forbade George RR Martin to be able to get on with A song about ice and fire‘s five-year time jump.
How GRRM’s Time Jump would have changed Game Of Thrones
While A song about ice and fire‘s time jump would not have changed too much in the development of books, it would have created more problems with HBOs Game of Thrones. Initially, Game of Thrones more than likely needed to recast several of the main characters in the series. Arya would have gone from 13 to 18 years after the time jump, which probably would have been having to recast Maisie Williams. Likewise, Sophie Turner’s 15-year-old Sansa would have turned 20, which is still a pretty big gap for such a young actress. Isaac Hempstead Wright’s Bran Stark would also have gone from 12 to 17, which also no doubt requires a new actor.
However, with at least three of the most significant Game of Thrones characters likely to change actors, the series would have had to spend too much time recreating the audience with the new versions of these characters while learning to adapt to the new people portraying them. Not only would that be a shocking change, however Game of ThronesThe ‘series would also have had to rely much more on flashbacks to better explain what happened over the five years, which is a narrative apparatus that showrunners stayed away from. Since Game of Thrones‘seasons had a maximum of 10 episodes, too long after season 4 would have been removed with readjustment and repetition, which would have exacerbated the problem that the series had already begun to have with its pace.
The time jump would also have changed the way more of Game of Thrones‘characters were perceived at the end, in part because of their young age and lack of time spent with them in such integrated periods of their lives. While the kites get even bigger in five years, would have been a better source of ammunition for Daenerys, Game of Thrones would have returned from the time jump with a brand new Dany. Daenerys in season 1 was not the same as Daenerys in season 3, so it would be difficult to understand the character’s motivations on the way into her approach to Westeros without having spent time with her in Mereen.
Similarly, Jon Snow would probably have been a much more hardened character coming back from Game of Throneswith any perception of him as a “boy”Or inexperienced be gone. Jon’s youth was an important part of his character, as his immortal loyalty was in part instilled by the lessons he learned from Ned until his death, which might have disappeared if he had only spent five years maturing and overseeing the Night’s Watch. Certain characters may have remained pretty much the same throughout Game of Thrones‘time jump, but it would have been harder to adjust to the main characters’ new personas.
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